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and
pleasant mannered, but once angered he quickly transforms
into a two legged killing machine.
The
film begins with some unexpected leanings towards comedy.
We see a number of hilarious scenes where Lee's character
is made to play the fool as he struggles to come to grips
with his new and unfamiliar environment. Close friends and
family, most notably Linda Lee, have stated that the yokel
and easy going Tan Lung is a closer portrayal of the real
Bruce Lee than in any of his other films.
As with The
Big Boss, the film seems to begin at a slightly pedestrian
pace. There are even one or two scenes where Bruce Lee appears
to be almost teasing the fight-hungry audience. For example,
early on in the film we have the restaurant workers holding
out punch pads and kick pads for Bruce to show what he can
do, but his demonstration is rudely cut short by the arrival
of customers. We also, for the first time, see scenes with
Bruce flexing his muscles and practicing on his own. Compared
to the Bruce Lee's of The Big Boss and Fist of Fury, the
character we see in Way of the Dragon looks more refined
and absurdly well conditioned to the point of seeming superhuman.
There is little doubt that Bruce Lee was in the best physical
condition of his life when he shot Way of the Dragon.
One of the real
innovations of the film was the use of Caucasians as bad
guys. For the final fight scenes Bruce had real-life karate
champions Chuck Norris and Bob Wall to play the part of
imported martial arts experts who have been hired to do
away with Tan Lung. Bruce Lee also added an element of realism
to his film by allowing some of the villains to carry guns.
This was certainly a bold thing to do for anyone producing
a martial arts film. Till now, most martial arts film producers
got round the problem of "What if they had guns?"
by simply pretending that guns never existed! In the case
of Tan Lung, he would deal with the gun carrying villains
by throwing small wooden darts in retaliation. This may
be a little fantastical, but credit should at least be given
for Lee's bravery in producing a genuine modern-day martial
arts film.
Critics have
described The Way of the Dragon as being a little rough
around the edges, but all in all an excellent effort for
a directional debut. The only major criticism I can think
of is that from a certain perspective the film can at times
appear to be another retake of The Big Boss. The similarities
between the two films are striking. Many of the same actors
were used for both films. In both films Bruce Lee plays
a stranger who has come from a far off place. In both films
Lee's character has difficulty trying to settle into his
new environment. In both films Bruce Lee ends up fighting
to help out his cousins. In both films his cousins (i.e.-
the very people that he was meant to be helping!) end up
getting brutally murdered. In both films Bruce Lee has one
female co-star whom his character confides in (played by
the same female actress in both films!!!). In both films
there is a long delay before we get a chance to see Bruce
Lee in a fight scene. In both films we see Lee's character
accidentally crossing paths with a prostitute. In both films
Lee's character is ultimately battling against one powerful
and rich bad guy who orchestrates a gang of thugs. Both
films end with the arrival of the police.
However, The
Way of the Dragon certainly has at least one element that
remains virtually unrivalled to this day - the fight scene
against Chuck Norris. This fight scene is undoubtedly one
of the most meticulously choreographed fight scenes in the
history of cinema. For this scene Bruce is reported to have
studied countless hours of boxing and wrestling matches,
frame by frame. Set in the spectacular setting of the Roman
Colosseum, the fight took a mammoth 20 pages of written
direction.
The Way of the
Dragon grossed $HK5 million on its first run at the Asian
cinemas- more than any film before it. This was the film
that made Bruce Lee wealthy and for many fans it will deservedly
remain the greatest Bruce Lee film of all time.
-David Connelly
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